AustraliaTravel - processed by zillions of computers - permission to board, permission to fly - in transit, life on hold until told to move - bar coded - permission to enter - life controlled by binary code
In the air, everyone asleep or engrossed in their personal entertainment centre, 300 people and no communication, separate journeys, isolated lives, compliant consumers. Looking at people beside me and constructing fantasy lifestyles of who they are - why not just ask them?
Brisbane - the suburban dream, an outpost of provincial America. Some people say that cities on the Pacific Rim are effectively extensions of the USA - the new 52nd state.
Sydney however, is an international city in its own right. If you have the money its paradise living on the seafront. The inner city has a strange kind of sleeze hanging in the air. A hangover from older times or something inherent in its nature?
11,000 miles away from my problems, but they travel with me, everything is in the head, but I just don't have to face up to them right now - is this the reason for travel? But it is also space to let new thoughts come in to your head, to get to know yourself a little better through a different context

Sydney Harbour Bridge
The experience of new places is in reality the usual mix of wonder, curiosity, mundanity and ugliness. Often there is a feeling of disappointment, as the real encounter can never live up to the multiple images we have from previous media experiences. How to overcome the simulacra - I knew what Sydney Opera House would look like, the struggle is to see the reality and loose the expectations.
Sometimes the unexpected does get you - walking in to my hotel room and seeing Darling Harbour by night
(see Hotel Daze) - literally breathtaking. How wonderful the world would be if we never saw photographs of our destination before arrival, and we could just explore the unknown.

Sydney
So why am I a photographer - is it just a way of making myself look at things more clearly (some kind of zen practice), or am I just creating another set of fantasies, filtering out the everydayness and promoting romanticised memories. But then again I find travel interesting because I approach it as a social scientist (after all its my profession), how does this place work, what is its cultural mix and how does this relate to its geography. Is my photography therefore just visual social science?
Whatever it may be, the importance is both in the detail, variety and contrasts of everyday things. And in visually exploring the feelings created by the natural world. Alain De Botton explores these themes in the
Art of Travel, which turned out to be an excellent travelling companion. Alain discusses seeing in terms of drawing, but I thinks photography will do also.

Opera House
for other pictures see travel daze